Word-Lush Wednesday

The latest column in the American Life in Poetry project reminded me that ripening happens not just in sunny days, but in rain and starry blackness as well. And, as the color deepens and becomes more varied on the surface of a time- and weather-worn life, we have hope that the lush and vibrant flesh beneath is becoming sweeter still–just waiting to crack open and spill out it’s fragrant juice. Here’s to American poets. Here’s to the poetry all around us. Here’s to a weighty life…

American Life in Poetry: Column 227
BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

Jane Hirshfield, a Californian and one of my favorite poets, writes beautiful image-centered poems of clarity and concision, which sometimes conclude with a sudden and surprising deepening. Here’s just one example.

Green-Striped Melons

They lie
under stars in a field.
They lie under rain in a field.
Under sun.

Some people
are like this as well–
like a painting
hidden beneath another painting.

An unexpected weight
the sign of their ripeness.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c)2008 by Jane Hirshfield, whose most recent book of poems is “After,” Harper Collins, 2006. Poem reprinted from “Alaska Quarterly,” Vol. 25, nos. 3 & 4, Fall & Winter, 2008, by permission of Jane Hirshfield and the publisher. Introduction copyright (c)2009 by The Poetry Foundation.  The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.  We do not accept unsolicited manuscripts.

Tardy Solstice

It seems I’m tardy with many things these days. My only excuse is the daily occurrence of real life, joyous and challenging as it may be. Saturday was the Summer Solstice, the “first day” of summer, although our already humid 90 degree temperatures in Mississippi over the last week said it was at least a little overdue. Our Saturday was spent enjoying 2009′s longest day at my parent’s home. After yummy food and racing cars and stickered airplanes and much drooling and searching for “flint” rocks (ones I’ve yet to learn how to distinguish) and late afternoon naps and shouting and extra time with Daddy, it was 11:30pm before my three gifts could be coaxed to embrace the night, long after the sun had given up it’s day of “triumph.” Earlier in the week, a friend encouraged me to stare at everyone I love a little more closely these days in light of the unexpected brevity of life. I was decidedly blessed to take her up on the challenge the few extra daylight moments.

I came across a wonderful program called American Life in Poetry, which highlights modern poetry selections with notes from former U.S. Poet Laureate, Ted Kooser. Our local Arts Council has used it in their newsletter (which I design) for years. I’ve only recently paid closer attention and realized that the weekly offering is made available for free publication. A recent column was very apropos in beautifully articulating the push and pull of day and night this time of year.

American Life in Poetry: Column 220
BY TED KOOSER, U.S. POET LAUREATE

One of the privileges of being U.S. Poet Laureate was to choose two poets each year to receive a $10,000 fellowship, funded by the Witter Bynner Foundation. Joseph Stroud, who lives in California, was one of my choices. This poem is representative of his clear-eyed, imaginative poetry.

Night in Day

The night never wants to end, to give itself over
to light. So it traps itself in things: obsidian, crows.
Even on summer solstice, the day of light’s great
triumph, where fields of sunflowers guzzle in the sun—
we break open the watermelon and spit out
black seeds, bits of night glistening on the grass.

American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c)2001 by Coleman Barks, from his most recent book of poems, “Winter Sky: New and Selected Poems, 1968-2008,” University of Georgia Press, 2008, and reprinted by permission of Coleman Barks and the publisher. Introduction copyright (c)2009 by The Poetry Foundation.  The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.  We do not accept unsolicited manuscripts.

Lovely. I think I’ll search out more of Mr. Stroud’s work. One caveat: Light seems just as unwilling to give up it’s hold on our hearts. On Wednesday, the boys and Hub were out chasing “lightening bugs” in the guise of doing chores for Miss Belle (the beagle). Upon their return, all sweaty and giggling, they informed me they had caught two. Only, one “COULD NOT turn his light off.”

Much like the lights of my life.

the work of angel wings redux: in which I wish my Eye happy birthday

cross

it still sheds rough-hewn splinters
shining with the blood
of human prejudice,
turned and bent,
painted in black
on a red and white banner.

it still heats an angry mob
clad in pure
white hoods
standing in a yard,
set ablaze by the fire
of fear and hate.

it still holds a man stretched,
now in burnished bronze
or polished marble,
hung on our walls
and kept frozen
in dead faith.

yet, it still bears life,
a bloody, skin-shredded back pressed
against dirty beams, His bones
and veins ruptured with rusted spikes
driven by the exchange
of pain for healing, death for life.

“…by His wounds we are healed.” (isaiah 53:5)

‘Twas the Night Before Christmas

Twas the night before Christmas and all through the heavens
the angels were silent in anticipation.
For centuries they had waited for such a special flight,
and now it would happen this very night.

In the throne room the Father talked with His Son
of dreams and desires and what was to come.
“My Son, I’ve loved them since breathing their life,
and for years they’ve suffered with sin and strife.
Now it’s time to offer them relief,
for the groan of their sorrow is more than I can take.”

“Oh, Father, I’ve begun to feel their yearning
even before I take my journey.
The weight of their burden is heavy on my back.
I can almost feel the sting of their attacks.
Inside me the sadness of leaving burns,
but, Father, I can bring them when I return.”

“Yes, we’ll be united with our bride.
She’ll no longer have a reason to hide.
And, you’ll return to me, this I know.
But now, my love, You must go.
Gabriel!  Come!  Assemble your band.
For the birth of My Son is now at hand.”

With the stroke of His hand He split the sky.
As He watched the departure He heaved a sigh,
for He knew the sin His Son would endure
and the punishment of death–His suffering was sure.
But, this night all of heaven would rejoice
as they hailed the mystery of the Master’s choice
to limit Himself to the form of a babe
to bring reunion with those He would save.
So as He dripped a star from His fingertips
praises rang from the angels’ lips,
but the Father was quiet, a tear on His cheek
from the painful price required for peace.
And, from the joy He saw in ages to come,
when all His children would join Him at home.

So this night before Christmas as you drift to sleep,
and He sends His hosts with protection and peace,
may you keep His love for you well in sight,
and Merry Christmas to all, and to all a good night.